Art print reproduction of Cartwheels by Eric Harald Macbeth Robertson, part of the National Galleries of Scotland collection. This art print is a beautifully presented image with a white border. Printed in high-quality 240gsm smooth matt paper with light, fine-grain surface texture.
Robertson was strongly influenced by the work of Scottish artist John Duncan, but for a brief period after the First World War Robertson adopted an unusual semi-abstract style, which has affinities with the Vorticist work of Wyndham Lewis and William Roberts. Some of these paintings dwell on his harrowing experiences in an ambulance unit in the War. Scottish painters were generally slow or unwilling to adopt the avant-garde styles sweeping across Europe in the 1920s, making this an unusual and important work in early 20th-century Scottish art.
Eric Harald Macbeth Robertson was one of the most gifted students of his generation. Born in Dumfries, he moved to Edinburgh at the turn of the twentieth century and befriended the Symbolist painter, John Duncan, who became an important influence on his work. He was also inspired by the Pre-Raphaelites and the French Symbolist painter Gustave Moreau. Robertson featured in several group shows from 1912-1914, which led to the formation of the Edinburgh Group in 1919. During the War, he was stationed with the Friends Ambulance Unit where he began to paint more landscapes, yet it is his nude figure compositions, which scandalised Edinburgh society, that he is perhaps most associated.